Abstract

This research (the effect of the receiver in developing the language of the narrative text) aims to put the light on the important role that the receiver actions – as considering him an important part of the creative activity- in developing the language of the novel that started to sail from one stage into another desiring to capture the interests, the tastes and the aims of the modern and contemporary readers towards the productive texts. We have to raise the dust of the abstain from many authors if it was not most of them, about the confession that the aim of the fame has a big space in discussing their subjects in a developed language accord with the desires of the receivers. Every generation has its opinion in accepting the text, though we cannot ignore the events of the reality and the obsession of the soul and the ambitions in making the features of the specialty in the modern writings despite of the differences. And here the creativity takes another way this time upon the writer himself, so he can takes in a consideration the strong relation between the receiver and the writer. This research has been developed upon a collection of the narrative samples that have been chosen to reveal two important subjects: the first one is the choosing the dictionary of the texture language and the second one dealt with the author's representations.