Abstract

Al-Rwad literature’s historical significant is not just because of its artistic initiaition, but rather to the connection between the social and political situation and the Iraqi story at the thirthieth and the fourthieth thses stories expresses the writer’s beliefs and thoughtsand their reaction towards the social changes. On the other hand one can feel the writer himself than the life of his main characters. So story became a means of expressing people’s suffer and it was a good factor of fixing them. Sometimes, this positive characteristic causes the disconnection between subjectivity and objectivity.
Al-Rwad Literature adds the political sense to the Iraqi stores and the novels which continue to this time, especially (Mahmood Ahmed Al-Said, Ghaiab Toa’ma Farman, and Fuad Al-Tkrli) writings. Yet they thier works seem to be more conscious, romantic, humantirian, and proggrisive.
The following are the weak points of the Iraqi story in term of content and the interlictuall behavior:
• Publicity of the social and the romantic awarness especially with the political sector.
• The lack of the critical theories and the phylosophical aspect, and the raw social awarness and the ambiuity of the concepts, all these leads to lack of elevated cultural awareness in the Iraqi story.
• Depending on the traditional stories and the weakness of the artistic gift which leads to adapt tale style at that time.
• The Iraqi story make use of rich Europian stylistic especially at the first half of the twenteeth century which leads to self exprience to the extend of making mistake.