Abstract

ABTRACT
This paper examines the motif of wasteland in Allen Ginsberg's groundbreaking poem "Howl," positing that Ginsberg builds upon T.S. Eliot's earlier work while simultaneously charting his own course through the desolation of post-war America. Published in 1956, "Howl" encapsulates the anxieties of a generation grappling with social upheaval, existential crises, and a pervasive sense of alienation. Through its vivid imagery and emotional depth, the poem serves as both a cultural manifesto and an unflinching critique of the societal decay reflected in the urban wasteland, mental anguish, and the search for meaning against a backdrop of chaos. Key themes include the fragmentation of human experience, the impact of industrialization and capitalism epitomized by the figure of Moloch, and the profound spiritual desolation that characterizes the lives of marginalized individuals. Ginsberg’s portrayal not only reveals the pain inherent in these experiences but also suggests avenues for hope and redemption, urging readers to confront their own desolations while aspiring toward connection and understanding. Ultimately, the paper argues that "Howl" transcends mere criticism to emerge as a powerful assertion of empathy and resilience amid the existential void, highlighting the transformative potential of struggle and the human spirit.